Tuesday, January 23, 2018

Ulmo



This last-named work, which translates as "Broad Waters," is actually a set of five pieces, and is a departure for the composer in that it consists of arrangements of existing folk melodies. Górecki had long been interested in the traditional folk and religious music of his native Poland, but he did not begin integrating these materials into his own music until Old Polish Music, Op. 24, from 1969.

Szeroka woda takes its melodies and texts from a pair of illustrated story books for children. All the texts have some connection, more or less direct, to water -- particularly the first, second, and fifth songs, which evoke the Narew and Vistula rivers. The settings are simple and unaffected. The harmonies flow naturally without being traditional. Górecki creates textures that match the texts and are gratifying to sing. In short, these are wonderful little pieces, and they launched a whole series of choral settings that Górecki composed over the next several years, many of which have yet to be published. --James Harley at AllMusic



Ulmo and Tuor by zdrava. More of his Tolkien-inspired work found here at Deviant Art

2 comments:

Belfry Bat said...

I wanted to let you know that this music has been a great consolation, lately; and so bardzo dzienkuję, and all that.

(maccaronium cado senectam meam...)

Paul Stilwell said...

Your most welcome. But I'm just glad Gorecki is shared. By the way, "consolation" is exactly the term I would use to describe Gorecki's music if I had one word. Beatus Vir for instance: a slow severe sort of entrenched build up and then "in a twinkling" this super strong outpouring, this Absolute Assurance.